Selected Solo Exhibition
2024 Cocoon, The Hole, New York, New York
2023 FRIENDs, PAHO Gallery, Hiroshima, Japan
The Sublime and Elusive Flower, Powen Gallery, Taipei, Taiwan
Summer Adventures, Sens Gallery, Hong Kong, Hong Kong
2022 Explorers and Brothers, Powen Gallery, Taipei, Taiwan
2021 Arnkell with Squirrels, Askeri Gallery, Moscow, Russia
Swamp and Cave, Cohle Gallery, Paris, France
Shipwreck, D’Stassi Gallery, London, United Kingdom
Bite the Mountain - Eat the Forest, Powen Gallery, Taipei, Taiwan
2020 Family(s), Askeri Gallery, Moscow, Russia
Robots White Dogs Healers, Powen Gallery, Taipei, Taiwan
2019 Him/Her, Powen Gallery, Taipei, Taiwan
Have a Good Day Everyone, HPFGallery Marunouchi, Tokyo, Japan
Him/Her, Moons Gallery, Yangon, Taiwan
2018 Ben and Steve, Askeri Gallery, Moscow, Russia
Fables of the One Hundred Mountains, Powen Gallery, Taipei, Taiwan
2017 Wunderkammer, Rood Gallery, Brooklyn, New York
Peter Opheim and Poren Huang, Powen Gallery, Taipei, Taiwan
2016 Fables of the Eleven Rooms and Six Houses, Zevitas Marcus Gallery, Los Angeles, California
Peter Opheim Paintings, Coup D’Etat, San Francisco, California
2014 The Place on the Other Side of Air, Now Contemporary Art, Miami, Florida
2012 LAND, Boltax Gallery, Shelter Island, New York
FOREST, Steven Zevitas Gallery, Boston, Massachusetts
2011 HERE, The Columns Gallery, Seoul, Korea
Peter Opheim | New Paintings, VOLTA NY, Steven Zevitas Gallery, New York, New York
Selected Group Exhibitions
2024 Peter Opheim with Ushio and Noriko Shinohara, PAHO Gallery, Diamaru Gallery, Tokyo, Japan
2023 Sweet Dreams, Bradbury Art Museum, Jonesboro, Arkansas
Storage Wars, The Hole, Los Angeles, California
Hajimemashite!, Bridge Mogura Gallery, Tokyo, Japan
Growth, Laputa Art Space, Suomei M50 Gallery, Shanghai, China
KIAF, with The Hole, Seoul, Korea
Art Taipei, with Powen Gallery, Taipei, Taiwan
NY Art, PAHO Gallery, Osaka, Japan
Art on Paper, with Marloe Gallery, New York, New York
Seattle Art Fair, with Marloe Gallery, New York, New York
Art Central Hong Kong, with Suomei M50 Gallery, Hong Kong, Hong Kong
2022 Current Era Perspective, Suomei M50 Gallery, Shanghai, China
UVNT Art Fair, with Granada Gallery, Madrid, Spain
Art Now, Zaradye Park Museum, Moscow Russia
Group Exhibition, Hankyu Umeda Gallery, Osaka, Japan
Art Market San Francisco, with Marloe Gallery, San Francisco, California
Group Show, Cohle Gallery, Paris, France
NY Art, HPFG Gallery, Hiroshima, Japan
NY Art, HPFG Gallery, Nagoya, Japan
Individuality, Aile Gallery, Seoul, Korea
Monologue, Suomei M50 Gallery, Shanghai, China
Art Collaboration Kyoto, with The Hole, Kyoto, Japan
Art Cologne, with The Hole, Cologne, Germany
Spotlight, D’Stassi Gallery, London, United Kingdom
2021 Pop-Up Pop, Suomei M50 Gallery, Shanghai, China
D’Arte, Marian Cramer Gallery, Amsterdam, The Netherlands
Art Taipei, with Powen Gallery, Taipei, Taiwan
Art on Paper Art Fair, with Marloe Gallery/Brooklyn, in New York, New York
Nature Morte, Enter Art Fair, with The Hole/New York in Copenhagen, Denmark
Paint Doh, Marian Cramer Gallery, Amsterdam, The Netherlands
2020 Cohl’ective, Cohle Gallery, Paris, France
Constructing a New World, George Byrne and Peter Opheim, Powen Gallery, Taipei, Taiwan
Scope Art Fair, with Askeri Gallery/Moscow, in New York, New York
Art on Paper, with Marloe Gallery/Brooklyn, in New York, New York
2019 New York, Hankyu Umeda Gallery, Osaka, Japan
Scope Art Fair, with Askeri Gallery/Moscow, in New York, New York
Art Market San Francisco, with Marloe Gallery/New York, in San Francisco, California
2018 Ecce Ancilla Domini!, Direktorenhaus Museum for Art, Berlin, Germany
Gracious Heart, Christies London, London, England
New York Art, Hankyu Umeda Gallery, Osaka, Japan
2017 Peter Opheim X Poren Huang X Chung-Chuan Cheng, Powen Gallery, Taipei, Taiwan
New York Art, HPgrp Gallery, Osaka, Japan
Permanent, Powen Gallery, Taipei, Taiwan
Figure / Landscape, Zevitas Marcus Gallery, Los Angeles, California
2016 Random, David Anthony Fine Art, Taos, New Mexico
Summer Group Show, Now Contemporary Art, Miami, Florida
Group Exhibition, Osaka Art Fair, HPGRP Gallery, Osaka, Japan
2015 The Guston Effect, Steven Zevitas Gallery, Boston, Massachusetts
Valentine’s Cardiovascular, Geoffrey Young Gallery, Great Barrington, Massachusetts
2014 Pumpkin Pie, Daniel Rolnik Gallery, Los Angeles, California
2013 Group Exhibition, Miami Project, Steven Zevitas Gallery, Miami, Florida
By the Seat of Our Pants, Boltax Gallery, Shelter Island, New York
Why am I so Awkward, Steven Zevitas Gallery, Boston, Massachusetts
Group Exhibition, ArtMRKT Hamptons, Boltax Gallery, Bridgehampton, New York
Pink, The Columns Gallery, Seoul, Korea
Group Exhibition, ArtMRKT San Francisco, Steven Zevitas Gallery, San Francisco, California
Childs Play, Sarasota Art Center, Sarasota, Florida
Group Exhibition, Now Contemporary Art, Miami, Florida
What Can I do for My Salvation, The Columns Gallery, Seoul, Korea
2012 Group Exhibition, Miami Project, Steven Zevitas Gallery, Boston, Massachusetts
Art Platform Los Angeles, Steven Zevitas Gallery, Los Angeles, California
Gallery Artists and Collection, The Columns Gallery, Seoul, Korea
Group Exhibition, Art Pad San Francisco, Steven Zevitas Gallery, San Francisco, California
Group Exhibition, Art MRKT San Francisco, Boltax Gallery, San Francisco, California
At HoMe: Living with Art and Design, The Columns Gallery, Seoul, Korea
2011 I am who I am; The Portrait Reconsidered, Steven Zevitas Gallery, Boston, Massachusetts
Group Exhibition, NEXT Art Fair, Steven Zevitas Gallery, Chicago, Illinois
Group Exhibition, Seoul Open Art Fair, Columns Gallery, Seoul, Korea
Inaugural Exhibition, Columns Gallery, Seoul, Korea
Given a Miniscule Ledge, Norwood, Curated by Liz Parks, New York, New York
Group Exhibition, Korea International Art Fair, Columns Gallery, Seoul, Korea
Selected Bibliography
Li Yiyun, “New York Artist, Peter Opheim’s Artistic Vision in Taiwan, China Times, June 5, 2020.
Whosdandan, “Peter Opheim at Powen Gallery, Keedan Magazine, April 3, 2019.
Inna Starovoitova, “Peter Opheim Interview”, PuppetMaster Magazine Russia, May 12, 2019.
Sasha Bogojev, “Peter Opheim at Hankyu Umeda Gallery”, Arrested Motion, May 29, 2018.
Staff, “Peter Opheim”, Art.Investment, March 2018.
Staff, “Peter Opheim, Art Hot News”, Art Collection Design, March, 2018.
Felicity Carter, “Gracious Heart Charity Auction at Christie’s in London”, Forbes, March 25, 2018.
Wil-Lian Guzmanos, “Exhibitions to Visit this October: Taipei”, The Artling Magazine, October 5, 2017.
Alexandra Fanning, “Cabinets De Curiosites. | Peter Opheim at Rood Gallery”,
Quiet Lunch Magazine, August 7, 2017, (Illus. “Ben and Steve”, Miles and Miles”, “Francis”, “Dase”, “Cool Your Heart”)
Sarah Nechamkin, “The CUT”, New York Magazine, August 4, 2017.
Andrew Salamone, “Artist Paints Charming Portraits of 100 Goofy Clay Sculptures”, VICE Magazine, July 23, 2017, (Illus.)
Staff, “Wunderkammer”, Wall Street International, July 12, 2017, (Illus.: Installation view Rood Gallery)
Alex Greenberger, “New York Foundation for the Arts Names 2017 Fellows”, Artnews Magazine, July 6, 2017.
Charlotte Parrott, “NYSCA/NYFA Artist Fellowship Program Recipients and Finalists Announced”, NY Patch, July 6, 2017
Jon Carver, “Spotlight: Taos”, Art Ltd. Magazine, January 1, 2017.
Felipe Tofani, “As Pinturas de Massinha de Peter Opheim”, Pristina Design
Magazine, October 28, 2016. (Illus. “Boy with Yellow Hair”, plus others)
Staff, “The Bizarre Play-Doh World of Peter Opheim”, Juxtapoz Art and Culture Magazine, September 2016. (Illus.)
Anise Stevens, “Peter Opheim”, Artillery Magazine, July/August 2016 (Illus. “Untitled” (#285))
Cate McQuaid, “Delightfully Unsettling”, The Boston Globe, 31 July 2013. (Illus. “Untitled” (#207))
Cate McQuaid, “Innocence and Experience”, The Boston Globe, 4 April 2012. (Illus. “Untitled” (#159))
Steven Zevitas, “12 Must See Paintings Shows: March 2012”, Huffington Post, 7 March 2012. (Ilus. “Untitled” (#153))
Evan Garza, “Painting Like a Sculptor: In the Studio with Peter Opheim”, New American Paintings-Blog, 28 February 2011.
Cate McQuaid, “Monstrously Provocative Portraits”, The Boston Globe, February 2011. (Illus. “Untitled” (#110)